THE could be seen throughout the churches.

Social and Cultural Background
Baroque is a term borrowed from the visual arts and one that is used
in many different senses. The Baroque Era applies to the years between
1600 and 1750. The most famous composers of this time were Bach, Handel,
Vivaldi and Teleman.

Politically it was an age of magnificent absolute Monarch’s. The most
magnificent of all was Louis XIV of France. Louis ruled from 1634 until 1713.
During this time the need to create a national culture or a regional style
that would match or surpass the elsewhere created cultural models was
pressed for.

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When looking at Baroque architecture it is noticeable that the
sculptures and paintings are never still: they are twisted, moving, struggling,
and dramatically lighted. Paintings of the Baroque Era focused more on
dramatic subjects and experimented with dramatic lighting.

The Baroque Era was concerned with feelings, the stronger the
better. This could be seen throughout the churches. In church structure
the proportions are grandiose, they are designed to impress and awe the
observers. Gold and rich textures and surfaces can be seen all through the

All of these themes that I have discussed are also clear in the music
of the Baroque period. It paints pictures of vibrant colours and triggers
strong emotions. The desire to discover these themes is evident in the
invention of the exciting new form music, opera, and in the use of operatic
techniques in dramatic music for the church.

Important Musical Developments
Composer-performers would strive at becoming Kapellmeisers in this
Era. A Kapellmeister is a music director at one of the great courts. They
were responsible for all the music performed in the court. These positions
were very unstable though and composer were always on the lookout for new

The responsibilities of performers during this era was to write music
at a furious pace due to the demand. Bach, for example, was responsible for
one cantata a week while he was music director at Leipzig. Due to the pace
the music was written, the performers of the pieces had to fill in the
details. Baroque music can therefore be classified as a type of jazz because
the soloists would play their own versions of a basic melody with rhythm
section improvises, based on a chord pattern.

Baroque music sounds different from music of other periods due to
its lack of dynamic range. The composers at this time usually did not specify
dynamics on their pieces, they simply wrote “loud” or “soft.”
The most prominent element in Baroque music was rhythm and
texture. Baroque’s fast movement generally caused the feeling of rhythmic
drive. Tempos were always constant. The least prominent element was
melody. Gradual rise of tonality on the other hand was a great Baroque
innovation. This is the major-minor system that is still used today in the
twentieth century.

Opera was one of the most important developments in the Baroque
Era. It began in Florence in 1600. French operas featured more emphasis
on the orchestra and chorus. During this time Handel invented the oratorio.
An oratorio is a large work for soloists, chorus, and orchestra sung in
concert format, without costumes or staging, in a concert hall rather than as
part of a church service. Some other instrumentals formed during this era
Concerto Grosso: in three movements, fast-slow-fast, and pits a large
group of soloists against the larger string ensemble.

Suite: a less formal structure consisting of several binary dance
Fugue: Latin for “flight” or “chase,” denotes a standard Baroque
compositional process.

Johann Sebastian Bach,
Cantata No. 140
Bach is the giant of Western Art. Bach was born in Eisenach, North
Germany, and was raised by an older brother after he was orphaned. Bach’s
most important position came in 1723 and lasted until his death which was
January 28, 1750. He was the “Cantor” at the church of St.Thomas in
Leipzig. He was best known as a keyboard performer. His greatest pieces
though, were his organ pieces. Bach was also known for his Cantata’s. The
cantata was written in fairly free form. They were part of a long church
service. In most cantatas the highest point is during the opening chorus,
which is also usually the longest movement. Cantata no.140 “Wachet Auf” is
an excellent example of the chorale cantata form. Bach wrote it for one of
the final Sunday’s after Trinity. The song is broken into a five-part
1) Chorus
2) Recitative and Duets-Soloists
3) Chorus
4) Recitative and Duet-Soloists
5) Choral- Chorus and Congregation
Another famous piece by Johann Sebastian Bach was “Brandenburg
Concerto No.5.” The Brandenberg concertos are examples of a Baroque
form known as the concerto gross that is based on the principle of contrast
between two groups, or sounds of different sounds and at the same time
dynamics. The first movement of this piece is in ritornello form. It is made
up of three basic patterns that work well with instruments. The second
movement heard contains soloists and continues without string orchestra.
The third and last movement is made up of soloists and orchestra.

George Friederich Handel,
“For Unto Us A Child is Born” from Messiah
Handel is known as the “other” Baroque composer. Handel contrasts
greatly with Bach, not only in their style of music but in their personalities,
lifestyles, and careers. Handel was not born into a musical family. It wasn’t
until the death of his father that he quite his law career to become a
musician. After the genre of Italian opera faded Handel hit upon an English
adaptation of the early oratorio, originally a concert setting of a biblical
story in Latin. The success of his oratorios and a steady stream of new
compositions made Handel increasingly wealthy and famous. He passed away
in 1759, blind, but was still seen as a celebrity. Due to Messiah’s length and it’s contemplative rather than dramatic approach to nature, it makes it a not typical oratorio. “For Unto Us A Child is Born” is a splendid example of Handel’s choral style, an element which makes oratorios so popular. As opposed to Bach’s style of writing for only small groups of boys and men, Handel was fond of grandiose effects, such as double choruses. Handel’s choruses were written strong enough to impress the audience who had paid admission to hear the cantata. The oratorio is written in a three part structure. The three ideas are distinct and are always kept separate, and never combined. Out of this simple, repetitive structure comes a satisfying effect: the listener of this piece feels the triumph and joy of the text due to it’s easy to follow material.

Antonio Vivaldi,
“Spring” from The Four Seasons
Bach and Handel are not the only great composer of this era. Antonio
Vivaldi was another master of music during the Baroque period.

Vavaldi was born in 1678 in Venice. His father too was a musician, a
violinist at St.Marks’s church in Venice. For thirty-six years, from 1704
until 1740, he was music director at the Ospedale della Pieta, a school for
illegitimate daughters of the aristocracy. He then left his job to conduct
opera in Italian cities. He eventually wrote concertos not only for violin and
standard winds-oboe, flute, bassoon-but also for instruments such as the
piccolo, mandolin, and guitar.

One of his best known works is “the Four Seasons.” It is a set of four
concerti grossi which relate to nature during these seasons. The spirit of
childlike playfulness can be seen throughout out this piece which is
important to Baroque style. It is very easy to see why Vivaldi’s pieces are
still played and enjoyed to this day.


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